Last weekend I ran my first full-day eco-printing on cotton workshop. I had a lovely group of enthusiastic women join me at my house to explore the theoretical and practical aspects of this method of natural dyeing. We spent the morning talking about choosing and preparing leaves and fabric and making a mordant. I demonstrated […]
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St John’s Wort (Hypericum perforatum) is an incredible plant. It can be identified by crushing the flower buds, which will release a beautiful deep plum liquid. This colour comes from hypericin, which gives an indication of the plant’s dyeing potential and is also one of its medicinal constituents. The flowers and top few centimetres of each
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I’ve been wanting to try dyeing with Australian indigo (Indigofera australis) for a long time. I’ve got a small bush growing but it is still too young for harvesting. So I was very excited when some friends offered me clippings from their huge plant. There are a few tutorials online specifically for Australian indigo, at
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Maple leaves are high in tannins and so are well-suited to the eco-print process. Tannins help natural dyes bond to fabric and often also impart colour. Tannin levels increase over the growing season. So maple leaves picked in autumn will print more vividly than those picked in spring. The different sides of maple leaves produce
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Eco-printing on paper is a fast, easy and satisfying way to get started with this wonderful craft process. You don’t need much in the way of special tools or equipment and you can experiment with the plants growing around you. This tutorial shares a particularly simple yet effective method for eco-printing on paper, using a
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Although iron is my trusty favourite mordant- easy to make, relatively low toxicity, and easy to dispose of- I have been experimenting with alum lately. My first results of eucalyptus on alum were not very promising. Fluro yellow is not my favourite colour. But then I tried double-mordanting, combining both iron and alum. I hoped
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All dyed fabric will fade eventually, from washing and sun exposure. Eco-printed cotton does fade more quickly than synthetically dyed cotton but there are a few ways you can reduce this to enjoy your fabric for longer. Washing I find that machine washing eco-printed fabric is fine, although I recommend hand washing for very special items. More
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I get asked a lot if the method I described in my ebook will work for non-eucalypts. These samplers are a good example of the results you can get using different types of leaves. Following on from the first experiment I documented, these leaves were left to soak for about 2 months before I used them, and it
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I was recently interviewed by the lovely Skye Scott from The Studio Fae Project. Skye is currently teaching herself floristy and she interviewed me about my process and challenges in being a self-taught eco-print artist. I really enjoyed reflecting on my journey so far. You can read the interview here.
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I’ve been curious about mordanting with blood ever since I read India Flint’s passing reference to it in Second Skin. I’m not a squeamish person and I have ready access to a cruelty-free form of blood each month with my menstrual cycle, so I thought I would give it a go. I wondered if it would
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